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''Bacchus'', formerly ''Saint John the Baptist'', is a painting in the Musée du Louvre, Paris, France, based on a drawing by the Italian Renaissance artist Leonardo da Vinci. It is presumed to have been executed by an unknown follower, perhaps in Leonardo's workshop. Sydney J. Freedberg assigns the drawing to Leonardo's second Milan period.〔S.J. Freedberg, "A Recovered Work of Andrea del Sarto with Some Notes on a Leonardesque Connection" ''The Burlington Magazine'' 124 No. 950 (May 1982:266, 281-288) p 285; the badly smudged and damaged red chalk drawing, conserved in the Museo del Santuario del Sacro Monte, Varese, is illustrated p.284, fig. 27.〕 Among the Lombard painters who have been suggested as possible authors are Cesare da Sesto,〔Cesare is most often credited with the best of three copies of this work in its original formulation, on loan to the National Gallery of Scotland.〕 Marco d'Oggiono, Francesco Melzi,〔Freedberg 1982:285〕 and Cesare Bernazzano. The painting shows a male figure with garlanded head and leopard skin, seated in an idyllic landscape. He points with his right hand off to his left, and with his left hand grasps his thyrsus and also points down to earth. The painting originally depicted John the Baptist. In the late 17th century, between the years 1683 and 1693, it was overpainted and altered to serve as ''Bacchus''.〔It was inventoried in 1683 at ''Saint Jean dans le désert'' at Fontainebleau and in 1693 at Meudon as ''Bacchus'', with a marginal note that it had formerly been previously inventoried as ''Saint John''. (Freedberg 1982:285, note 16).〕 Cassiano dal Pozzo remarked of the painting in its former state, which he saw at Fontainebleau in 1625, that it had neither devotion, decorum nor similitude,〔Noted by A. Ottino della Chiesa, ''Leonardo Pittore'' (Milan) 1967:109, from a document in the Vatican Library.〕 the suavely beautiful, youthful and slightly androgynous ''Giovannino'' was so at variance with artistic conventions in portraying the Baptist – neither the older ascetic prophet nor the Florentine baby ''Giovannino'', but a type of Leonardo's invention, of a disconcerting, somewhat ambiguous sensuality, familiar in Leonardo's half-length and upward-pointing ''Saint John the Baptist'', also in the Louvre.〔See Marilyn Aronberg Lavin, "Giovannino Battista: A Study in Renaissance Religious Symbolism" ''The Art Bulletin'' 37.2. (June 1955:85-101).〕 The overpainting transformed the image of St. John into one of a pagan deity, by converting the long-handled cross-like staff of the Baptist to a Bacchic thyrsus and adding a vine wreath. The fur robe is the legacy of John the Baptist, but has been overpainted with leopard-spots relating, like the wreath, to Bacchus, the Roman god of wine and intoxication. ==Copies== Few copies done by Leonardeschi artists are known. One of them is attributed to Bernardino Lanino (panel, 24 x 24 cm) and is held at National Gallery of Scotland, Edinburgh. It depicts St John the Baptist in Wilderness, however, the saint is placed to a background of grotto with some sight of high rocks, a river, riders and a hanged man. Another copy of 15 - 16 th century is held at Musee Ingres, Montauban. Another copy, attributed to follower of Cesare da Sesto has been sold in Christies auction in 2008-04-23. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Bacchus (Leonardo)」の詳細全文を読む スポンサード リンク
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